On this recording they join with Swedish choirmaster marvel Ragnar Bohlin, leader of the San Francisco Symphony Chorus since 2007, and world-leading trombonist Christian Lindberg - featured here as both soloist and composer. Being one of the world's foremost choirs entails collaborating with the very cream of choirmasters and musicians. The collective leaves room for each individual form of expression, creating a sound that is unique in the world of choral music. Since Eric Ericson took over in the 1950s, it has become one of the world's most outstanding choirs - a universal tool of voices capable of delivering the sweetest a cappella tones or of performing an oratorio with enormous power and elasticity. Review: The Swedish Radio Choir comprises 32 professional singers. Swedish Radio Choir : Visions and Non Thoughts This years programme will include tours in Italy, Belgium and Germany with maestro Claudio Abbado and the Mahler Chamber Orchestra among others. In 2008 the choir was touring in Italy and Netherlands and Nordic Countries, took part in a festival in Rotterdam and The Hague, joined forces with the Rotterdam Philharmonic Orchestra and Valerij Gergiev and other important ensembles and conductors. Its work with Riccardo Muti and Claudio Abbado in the 1980s resulted in a series of acclaimed concerts and recordings. It is regularly invited to participate in international festivals and concerts. Today the choir is led by musical director Peter Dijkstra, winner of Eric Ericson Award a.o.t.Įver since its first sensational tours to Berlin, Venice and elsewhere in the 1960s, the Swedish Radio Choir has carried on a rich and varied programme of international activities. Tonu Kaljuste brought new repertoire from Eastern Europe including such composers as Arvo Part and Alfred Schnittke, while Stefan Parkman presented a series comprising all of Bach's major works. Gustaf Sjokvist premiered works by Sven-David Sandstrom, Tomas Jennefelt and Hans Gefors. Anders Öhrwall shared his specialist understanding of the music of the Baroque. The works they wrote specifically for Ericson's choir count among the classics of the choral repertoire both in Sweden and internationally.Įric Ericson finally resigned as Musical Director after more than thirty years' service, but he has been welcomed back many times as guest conductor and was appointed Conductor Emeritus in March 2007.Įach new Music Director since Ericson has impressed his individual stamp on the choir and brought it new colours and skills. The circle around Ericson and his choir numbered composers such as Ingvar Lidholm, Sven-Erik Back and Lars Edlund, and they were soon joined by Gyorgy Ligeti and Krzysztof Penderecki. Many composers found in the Swedish Radio Choir the instrument they needed to give vent to their music. On returning home he began spreading the word about this choir that could sing practically anything. Arthur Honegger came to Sweden and heard his own choral music sung for the first time the way he had imagined it. Ericson made the choir into an instrument capable of performing advanced choral repertoire that had been gathering dust until then - works by such composers as Richard Strauss and Max Reger as well as music of own day. The choir was founded in 1925, but it was only in 1952 that the newly appointed Musical Director Eric Ericson set about moulding it into the flexible choral instrument that it still remains today. It is also unique in its mastery of the entire choral repertoire in all its breadth and depth, from Bach and Palestrina, through the Romantics like Schumann and Brahms, to Strauss, Ligeti and other contemporary composers. Since the 1950s the Swedish Radio Choir has been one of the world's finest a cappella ensembles. Therefore entities such as 1B (North Cyprus), 1S (Spratly Archipelago) etc, which may be heard, may not be recognised for DXCC purposes, nor valid under UK licence conditions.Mixed Choral Chorus from Stockholm, Sweden. Note: The ITU has not authorised any 1x and Qx series callsigns. The list below shows amateur callsign prefixes currently in use. Callsigns use combinations based on those prefixes. ![]() ![]() The prefixes used by a country for both commercial and amateur radio purposes are determined from one or more ITU allocation blocks issued to that country. Callsigns for the world’s nations are determined by the International Telecommunications Union (ITU), the United Nations agency that co-ordinates radio activity for all spectrum users.
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